We are delighted to announce that Melanie is officially joining our Research Group. Melanie has been an avid supporter of our conference over the years, and plays a critical role in championing research on video game sound and music in Germany. She has already been providing generous support to us (if you’ve noticed increased Twitter activity from us in recent months, that’s entirely thanks to Melanie) and we’re very excited to have her on board as we continue our work on the annual international conferences, as well as other projects.
Melanie Fritsch M.A. has worked as research assistant at the Research Institute for Music Theatre (University of Bayreuth) between 2008 and 2013, and has taught in the Music Theatre Studies department at that very place (B.A./M.A.). Currently she is writing her PhD thesis “Performing bytes. Musikperformances der Computerspielkultur” (“Performing bytes. Music performances of video game culture“). Her recent publications appeared in Ludomusicology: Approaches to Video Game Music, Music Video Games: Performance, Politics, and Play, and the Oxford Handbook of Interactive Audio.
She is also editor of the 2011 issue of “ACT – Zeitschrift für Musik und Performance” focusing on video games and music, and has been a member of the AHRC research network “Guitar Heroes in Music Education? Music-based video-games and their potential for musical and performative creativity” in 2014-2015. She also co-organizes the researching games BarCamp 2017 in Berlin.
For more information (talks, publications, activities, full CV) see http://uni-bayreuth.academia.edu/MelanieFritsch or meet her on Twitter @myfritsch.
Latest thing: https://spielkult.hypotheses.org/1186.