Chapter 6: A Link Between Worlds: The Construction of Nostalgia in Game Music and Final Fantasy IX (James L. Tate)
This page provides the supplemental figures for book chapters 1-7, 10, and 12.
- Chapter 1: Dancing Mad: Music and the Apotheosis of Villainy in Final Fantasy (Jessica Kizzire)
- Chapter 2: The Devil in the Detail: Analyzing Nobuo Uematsu’s ‘One-Winged Angel’ from Final Fantasy VII (James S. Tate)
- Chapter 3: Changing Times: The Diatonic Rhythms of Nobuo Uematsu’s Final Fantasy Battle Music (Ross Mitchell)
- Chapter 4: Thus Spake Uematsu: Satirical Parody in the Opening Sequence to Final Fantasy VI (Richard Anatone)
- Chapter 5: That tune really holds the game together: Thematic families in Final Fantasy IX (Atkinson)
- Chapter 6: A Link Between Worlds: The Construction of Nostalgia in Game Music and Final Fantasy IX (James L. Tate)
- Chapter 7: Penultimate Fantasies: Compositional Precedents in Uematsu’s Early Works (Alan Elkins)
- Chapter 10: Feminine Themings The Construction of Musical Gendering in the Final Fantasy Franchise (Thomas B. Yee)
- Chapter 12: HISTORICAL NARRATOLOGY AND THE ‘HYMN OF THE FAYTH’ IN FINAL FANTASY X (Powell and Dudley)
Supp 6.1. Niccolò Paganini, Caprice no. 24, mm. 1-4 (top); Sergei Rachmaninov, Rhapsody on a Theme by Paganini, mm. 1-4 (bottom).
Supp 6.2. Sergei Rachmaninov, Rhapsody on a Theme by Paganini, variation 18, mm. 2-4.
Supp. 6.3. Black mage design through the Final Fantasy series.
Supp. 6.5. Nobuo Uematsu, Final Fantasy IX, ‘Battle Theme’, mm. 1-4.
Supp. 6.4. Nobuo Uematsu, ‘Shadow’s Theme’, Final Fantasy VI, mm 3-6 (top); ‘Amarant’s Theme’, Final Fantasy IX, mm 3-5 (bottom).