Chapter 7: Penultimate Fantasies: Compositional Precedents in Uematsu’s Early Works (Alan Elkins)
This page provides the supplemental figures for book chapters 1-7, 10, and 12.
- Chapter 1: Dancing Mad: Music and the Apotheosis of Villainy in Final Fantasy (Jessica Kizzire)
- Chapter 2: The Devil in the Detail: Analyzing Nobuo Uematsu’s ‘One-Winged Angel’ from Final Fantasy VII (James S. Tate)
- Chapter 3: Changing Times: The Diatonic Rhythms of Nobuo Uematsu’s Final Fantasy Battle Music (Ross Mitchell)
- Chapter 4: Thus Spake Uematsu: Satirical Parody in the Opening Sequence to Final Fantasy VI (Richard Anatone)
- Chapter 5: That tune really holds the game together: Thematic families in Final Fantasy IX (Atkinson)
- Chapter 6: A Link Between Worlds: The Construction of Nostalgia in Game Music and Final Fantasy IX (James L. Tate)
- Chapter 7: Penultimate Fantasies: Compositional Precedents in Uematsu’s Early Works (Alan Elkins)
- Chapter 10: Feminine Themings The Construction of Musical Gendering in the Final Fantasy Franchise (Thomas B. Yee)
- Chapter 12: HISTORICAL NARRATOLOGY AND THE ‘HYMN OF THE FAYTH’ IN FINAL FANTASY X (Powell and Dudley)
